Home Duke University Press
 QUICK SEARCH:   [advanced]


     
  Home | Help | Feedback | Subscriptions | Archive | Search | Table of Contents


Social Text 2009 27(3 100):129-133; DOI:10.1215/01642472-2009-022
This Article
Right arrow Full Text (PDF)
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Download to citation manager
Right arrow reprints & permissions
Google Scholar
Right arrow Articles by McCarthy, A.
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
Duke University Press

"Feminism" to "National Allegory" (All articles in this section are contained within a single PDF)

Film and Mass Culture

Anna McCarthy

Social Text's engagement with mass culture, and particularly film, began as a way of rethinking the binaries structuring Marxist cultural criticism. The terms shifted over the years, partly in response to political developments such as the culture wars of the 1990s and partly in response to changing editorial commitments, which included a turn toward understanding culture as a domain of labor. The launch of the Social Text Web site represents another stage in the journal's ongoing interest in media as a site of leftist critique.


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati    What's this?





  Home | Help | Feedback | Subscriptions | Archive | Search | Table of Contents


Copyright 2009 by Duke University Press